Lee Gilboa is a US-based composer, scholar, and audio engineer. As a composer, she is focused on spatial audio and primarily uses pre-recorded speech, vocal processing, and audio spatialization techniques in order to engage with themes such as the sonic identity, representation, collectivity, and self-expression. Committed to Practice-Based research, these themes occupy her scholarly work as well. Her current research examines the role that listening assumes in the socio-political sphere through a rigorous investigation of testifying voices. Some of her work in this area was recently published in Resonance: The Journal of Sound and Culture and awarded her fellowships from the Jerusalem Institute of Contemporary Music and the Cogut Institute for the Humanities. Gilboa’s music is released by Contour Editions and was featured internationally in festivals and venues such as ICMC, Experimental Intermedia, Roulette Intermedium, The Immersion Room at NYU, Cube Fest at Virginia Tech, Ars Electronica Forum Wallis Festival, and NYCEMF, among others. She participated in several master classes and artist residencies internationally, including the Atlantic Center for the Arts, The Honk Tweet, IRCAM Manifeste Academy, Elektronmusikstudion, and Spaes Lab. Since 2020, Lee has been a curator for the spatial audio concert series CT::SWaM, currently known as New Ear ::SPATIAL, where she collaborates with Daniel Neumann on the creation of listening spaces dedicated to multichannel audio works. Lee completed her Ph.D. at Brown University’s Music and Multimedia Composition program and currently serves as an Assistant Professor of Electronic Production and Design at Berklee College of Music.